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Sunday, April 10, 2011

A Song Analysis: The FIGURES OF SPEECH in Ric Segreto's "Give Me a Chance"







 GIVE ME A CHANCE
   by Ric Segreto (RIP)

I need you
Is all that I can say
But deep inside of me
You'll know I want you more each day
But time won't let me have the chance
So I've got to see you even at a glance

II.

I know, it's hard for you to see
Exactly how much you mean to me
Since it's just a one way street
And I'm the only one who's on it
No one knows the way but me

Cho:

I love you can't you hear me
Oh can't you please see through me
Oh babe I need your love so badly
It's no lie so please believe me
In my heart you'll see the real me
You just gotta give me a chance

III.

Well since I got that off my chest
All I need to let you know
Is I really did my best
Keep this feeling inside
But there's just no place to hide
So please be my love

Chorus:

I love you can't you hear me
Oh can't you please see through me
Oh babe I need your love so badly
It's no lie so please believe me
In my heart you'll see the real me
You just gotta give me a chance

Give me a chance

Give me a chance


The Figures of Speech in this song:


1. PERSONIFICATION


But time won't let me have the chance 

"Time" is given the human trait of giving a chance


2. HYPERBOLE


In my heart you'll see the real me 

This line is exaggerated




Source of the song:    http://www.youtube.com/watch?v=GlOpTclkFb4

Saturday, April 9, 2011

Short Story Analysis: "A Rose for Emily" by William Faulkner



By William Faulkner

II. SYNOPSIS / SUMMARY

         The funeral of Miss Emily Grierson is attended by the whole town. The women, mostly due to curiosity, want to see the interiors of her house wherein nobody else except for an old Negro servant has seen in ten years, at the minimum.

         When she was still alive, Miss Grierson was a noble and respectable single woman. When her father died, she became alone, and a pauper. The people pitied her. 

          One day, there was a very bad and unbearable smell coming from her yard. Some neighbors complained to the mayor, and he simply advised them to tell her to clean up her place. 

          Miss Emily was sick for long. Her neighbors would rarely see her. But, when she had a love interest, a gay construction worker named Homer Barron, the two of them would be spotted together on Sunday afternoons. The townspeople were happy for her and thought she would get married to Homer, especially when they found out she bought some men’s things. However, after sometime, when they did not see Homer anymore, they pitied Miss Emily again because her lover left her.

          She was rumored to kill herself when she bought rat poison. But she did not. She would still be occasionally seen outside of her house up to the time its front door started to remain closed. The years passed, and her hair was turning gray until it became pepper-and-salt-iron-gray.

          Now she is dead. The people can now enter her house that has always been off-limits to them prior to this time. They go to the room upstairs which nobody has seen for forty years. After forcing the door open, they see that the room looks like a married couple’s. Then, they are shocked to see the skeletal remains of a man on the bed. They notice that the second pillow has a long strand of iron-gray hair.

III. SHORT STORY ELEMENTS

A. MAJOR CHARACTERS

1.  Miss Emily Grierson – Protagonist, Developing
2   Her Negro servant   -  Flat, Static
3.  Homer Barron -  Flat, Static
4.  The neighbors and townspeolpe -  Flat, Static

B. PLOT -

a)  Introduction

This short story begins with Miss Emily’s funeral. Then the “personas” use flashback, from one highlight to another, that tell us about Miss Emily’s life.

b)  Rising Action

When Miss Emily bought rat poison, the people though she would kill herself.

c)  Climax

Those who forced open the closed room had a big surprise when they saw the skeleton that they suspected was Homer Barron’s.

d)   Falling action

After their initial shock was gone, the townspeople who opened the locked room saw a pillow that had a long strand of iron-gray hair.

e)         Denouement

Speculations arose, but nobody knew for sure what exactly happened, since Miss Emily had died.

C. SETTING

a)  place –  in a southern town somewhere in Jefferson
b)  time-  the late 1800's up to the early 1900's.
c)  weather conditions - fine
d)  social conditions- good
e)  mood or atmosphere –
D. POINT OF VIEW
         The Point of View used in this short story is the Omniscient ObjectiveThe author tells the story in the third person.  It appears as though a camera is following the characters, going anywhere, and recording only what is seen and heard.  There is no comment on the characters or their thoughts. No interpretations are offered.  The reader is placed in the position of spectator without the author there to explain.  The reader has to interpret events on his own.

E. LITERARY DEVICES

         In my opinion, the literary devices used in this story are Flashback, Foreshadowing, Symbolism.

         Flashback: When Miss Emily died, the townspeople narrated some important highlights in her life by means of flashbacks.

          Foreshadowing: When I read the part where Miss Emily bought rat poison, but there was no mention of rats prior to that, I thought that it was for something very important in the story. Thus, I read on with the close attention to what that poison was really for.

         Symbolism: After re-reading a few times, I strongly believe that the house, the watch, the poison, and the matrimonial bed symbolize important things in the story. The house symbolizes Miss Emily’s being a noble person who became a pauper, just as the elegant house became a prison cell of some sort. Then, the watch symbolizes the timeline of the highlights or vital events in Miss Emily’s life. Meanwhile, the poison symbolizes death, and the matrimonial bed found in the locked room symbolizes Miss Emily’s thoughts about marriage despite what the townspeople thought of her.

F. THEME

         For me, the themes Things are not always as they appear to be and also Love is blind are applicable to this story.

G. CONFLICT

The conflicts here are External:

Man vs. Circumstances (classical) - The leading character struggles against fate, or the circumstances of life facing him/her. 

       Miss Emily struggled through the harsh realities of life.

Man vs. Society (social) - The leading character struggles against ideas, practices, or customs of other people.
 
        The townspeople’s descriptions and perceptions about Miss Emily made her very pitiful.    --ARV

Wednesday, April 6, 2011

SHORT STORY ANALYSIS: The Cask of Amontillado by Edgar Allan Poe


I. THE CASK OF AMONTILLADO                
By Edgar Allan Poe

II. SYNOPSIS / SUMMARY
         Due to Montresor’s long-standing hatred towards his friend Fortunato, the former decided to kill the latter. Montresor could not stand anymore his friend’s injuries and insults so he planned to lure Fortunato into the catacombs where a supposed pipe of Amontillado, a type of wine, was there. Montresor needed Fortunato’s expertise in wine, which was also Fortunato’s weak point. When they were already at the hidden place, Montresor buried Fortunato alive. Actually, that murder happened 50 years ago, and now, Montresor is telling it to the readers in a first-person narration.

III. SHORT STORY ELEMENTS

A. CHARACTERS

1.   Montresor - Protagonist
2.   Fortunato- Antagonist

B. PLOT

a)  Introduction

         At the start of this short story, Montresor narrates how he has suppressed his anger towards Fortunato  due to the “thousand injuries.” But when he is already insulted, Montresor wants revenge.


 b)  Rising Action

         One evening, Montresor invites the drunk Fortunato to his big house where there is nobody else because he let his attendants have the night off.  He wants Fortunato’s expertise in wine, to check the supposed Amontillado in his extensive vaults.

c)  Climax

       The story is at its peak moment when Montresor starts to cover the niche’s entrance, with Fortunato in there.


d)    Falling action 

       When Fortunato realizes he is trapped, his drunkenness seems to leave him.      


e)   Denouement

      Things resolve when Montresor cannot hear anymore Fortunato’s sharp cries. And when he calls out Fortunato’s name, there is no answer.

C. SETTING

a)  place – in Montresor’s house in an Italian City


b)  time- evening; carnival season


c)  weather conditions - fine


d)  social conditions- good

e)  mood or atmosphere – Montresor feels revengeful whilst Fortunato is his usual happy self


D. POINT OF VIEW

         The Point of View used in this short story is the First Person - The story is told  by the protagonist or one of the characters who interacts closely with the protagonist or other characters (using pronouns I, me, we, etc).  The reader sees the story through this person's eyes as he/she experiences it and only knows what he/she knows or feels.

E. LITERARY DEVICES

         In my opinion, the literary devices used in this story are Flashback, Symbolism and Irony.

          The whole story is actually a Flashback.

         There is mention of the Montresors’ arms with the motto 'Nemo me impune lacessit'  (with the meaning “no one attacks me with impunity”) and this is a symbol of what Montresor feels towards Fortunato (Symbolism).

         For Irony, this paragraph shows the exact opposite of the hidden anger of Montresor for Fortunato:

     'Come,' I said, with decision, 'we will go back; your health is precious. You are rich, respected, admired, beloved; you are happy, as once I was. You are a man to be missed. For me it is no matter. We will go back; you will be ill, and I cannot be responsible. Besides, there is Luchresi -'

F. THEME

         For me, the theme Revenge is not good can be applied to this story.

G. CONFLICT

         The conflict here is Internal - A struggle within one's self; a person must make some decision, overcome pain, quiet their temper, resist an urge, etc., that of Man vs. Man or Montresor vs. Fortunato - The leading character struggles with his physical strength against other men, forces of nature, or animals, and also Man vs. Himself/Herself or Montresor vs. Himself -  The leading character struggles with himself/herself; with his/her own soul, ideas of right or wrong, physical limitations, choices, etc.  --ARV

Xavier University (Ateneo de Cagayan): Where I'm Taking Up (Finishing) my Masters :)

 



An Original Poem: Thank You, Lord


Thank You, Lord
by Ann Villanueva
                                                                                 
The first time I knew you,
you were nothing to me
I was then living my life through
with somebody

But when that somebody left,
I crossed your path again
And since that time, it has been your photo that I kept
in my wallet for me to be always strengthened

Thank you, oh thank you, oh Lord, for coming into my life
The happiness I’ve been feeling since I found you
has really struck me like a knife
I should’ve known earlier that You are the only one who
Unconditionally loves and cares through and through

With You I won’t despair anymore
And as time passes I love you more and more
I‘ll live the rest of my life praising you,
respecting you, worshipping you, and loving you

Thank you, oh thank you, oh Lord, for coming into my life
The happiness I’ve been feeling since I found you
has really struck me like a knife
I should’ve known earlier that You are the only one who
Unconditionally loves and cares through and through

I am so happy now, I am so happy now
Thank you so much, Lord!

Tuesday, April 5, 2011

Short Story Analysis: PROGRESS by F. Sionil Jose


I. PROGRESS
 By F. Sionil Jose                                                                            
 
II. SYNOPSIS / SUMMARY
         From her provincial hometown, Marina Salcedo, a 45-year-old Senior Clerk who has served twenty years in that Ministry, has to go to the big city Manila to follow up her promotion that is five years overdue. She badly needs such promotion because of her family’s rising financial needs.  

         Taking the Pantranco bus, she arrives Manila at dusk. She stays in a second cousin and her husband’s house. The following day, she goes to the Ministry. A woman clerk tells her that her name is not in the official list, much to Marina’s disgust, because she has the official letter. But the clerk insists, then opens a drawer for Marina to drop a twenty-peso bill, one of the two “red tape” incidents she encounters in that office. The other incident involves that of a supposedly missing form that is vital to her promotion; she drops a five-peso bill to the open drawer of the person-in-charge.

         Chief Lobo wants to meet her that Sunday afternoon for her to treat him to dinner before he hands her signed papers that also state “back pay” for the past five years. Hence, Marina goes to the agreed meeting place, a Japanese restaurant, where she waits for him until he arrives. She is shocked when Chief Lobo invites her to a motel. Despite her pleas, he gets what he wants.

          The promotion papers in her bag, she finally gets back to her hometown at past six in the evening. She decides to walk to her house to save on tricycle fare. All of a sudden, a man comes out from the dark and grabs her bag that has her papers which she is going to show to the paymaster for the raise to become hers. She knows that not letters or telegrams to Manila will get duplicates of such papers; she has to go back to Manila, and the thought of the bad experience she underwent frightens her.

III. SHORT STORY ELEMENTS

A. MAJOR CHARACTERS

1.  Marina Salcedo, a 45-year-old Senior Clerk, Protagonist, Developing
2.  Chief Lobo of the Finance Department of the Ministry office in Manila,  
                           Antagonist, Static

B. PLOT - Linear

a)  Introduction

        The main character, Marina Salcedo, is described in the first sentence of the story.


b)  Rising Action

       So as to have her promotion –and pay raise- Marina has to go to the Ministry in Manila to have her official papers signed


c)  Climax

      When the signatory of her promotion’s and pay raise’s implementation, Chief Lobo, wants her to go to the motel with him, she feels great tension.


d) Falling action

      Marina has no choice but to agree to Chief Lobo’s lustful motive, for her promotion, which, in turn, is for her family.

e)     Denouement

     Things resolve, although negatively, when Marina can do nothing but cry of anger, grief, and bitterness in her home, in front of her entire family, when her bag that contains her promotion papers has just been snatched.

C. SETTING

a)  place – somewhere in Nueva Ecija, then Manila, Philippines


b)  time- during the New Society era; in the span of a week


c)  weather conditions - fine


d)  social conditions- good

e)  mood or atmosphere – After Marina got her promotion papers signed, she is so happy. However, when these get snatched by a thief, she cries with anger, grief, and bitterness


D. POINT OF VIEW

The Point of View used in this short story is the Omniscient.

E. LITERARY DEVICES

        In my opinion, the literary devices used in this story are Symbolism and Foreshadowing.

        Symbolism: For me, the new roads and bridges, as well as Makati’s soaring glass-cased buildings and wide streets and the elegant Manila Hotel all symbolize the progress that the New Society brings. On the other hand, the incidents of “red tape” symbolize the opposite of what the New Society stands for.

         Foreshadowing: When I read the part where Marina remembered being warned about snatchers in Manila, I somehow expected there would be a snatching incident in the story.

F. THEME

         For me, the theme Life is indeed full of surprises is applicable to this story.

G. CONFLICT

The conflicts here are Internal:

Man vs. Circumstances (classical) - The leading character struggles against fate, or the circumstances of life facing him/her.
 
       Marina struggles against the financial difficulties she and her family are experiencing.

Man vs. Society (social) - The leading character struggles against ideas, practices, or customs of other people.

        Marina is disgusted over "red tape."                --ARV

Monday, April 4, 2011

A Song Analysis: The FIGURES OF SPEECH in Ric Segreto's "Don't Know What to Do"





Don't Know What to Do

Sung by Ric Segreto (RIP)

I have loved you only in my mind
But I know that there will come a time
To feel this feeling I have inside
You're a hopeless romantic is what they say
Falling in and out of love just like a play
Memorizing each line, I still don't know what to say
What to say...

Don't know what to do whenever you are near
Don't know what to say, my heart is floating in tears
When you pass by I could fly
Every minute, every second of the day
I dream of you in the most special way
You're beside me all the time
All the time...

I have loved you and I always will
Call it crazy but I know someday you'll feel
This feeling I have for you inside
I'm a hopeless romantic I know I am
Memorized all the lines and here I am
Struggling for words I still don't know what to say
What to say...

Don't know what to do whenever you are near
Don't know what to say, my heart is floating in tears
When you pass by I could fly
Every minute, every second of the day
I dream of you in the most special way
You're beside me all the time
All the time... all the time... all the time...

THE FIGURES OF SPEECH IN THE SONG:

1. Simile 

Falling in and out of love just like a play

The act of falling in and out of love is being compared to a play

2. Metaphor

You're a hopeless romantic is what they say

The “you” here is being compared to a “hopeless romantic"

I'm a hopeless romantic I know I am

The “I” or the persona is being compared to a “hopeless romantic"


3. Apostrophe

I have loved you only in my mind
But I know that there will come a time
To feel this feeling I have inside 

The persona is talking to an absentee loved one, somebody who is only in the mind

4. Hyperbole


Don't know what to say, my heart is floating in tears

Describing the heart as “floating in tears” is clearly an exaggeration

When you pass by I could fly

This statement by the persona that he/she could fly when the beloved passes by is another exaggeration.     --ARV

Source of the video - http://www.youtube.com/watch?v=vHFohow-3Qw

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